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Wigs were big back in 1760.
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The delight of Williamsburg is really in the hundreds of employees that come to work every day, don a period costume, and begin working an 18th century trade. Over two and a half days I have observed wigmaking, silversmithing, printing, and mantau-making. I have also stepped into an old fashioned apothecary. Herewith, some artisans hard at work.
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| Wigmaker. |
Wigs were in fashion before the Revolutionary War. You could order up a custom wig made of sheep, yak, or human hair. The human hair came from girls in Eastern Europe who earned money selling their locks. And while ladies could and did own wigs, they were mostly worn by wealthy men. They were a status symbol. And while we think of white wigs as the most common of that era, they were actually more expensive and reserved for formal occasions and portraits. The most popular wigs were brown, worn over a shaved head. Our wigmaker assured us colonial wigs were quite comfortable.
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| Millinery and mantau-maker. |
Until Eli Whitney, cotton was too hard to process to make into cloth. The colonists relied on sheep and flax grown locally. Our artisans were at the spinning wheel and at the loom when we met them. The loom could produce an inch of cloth in 3-4 minutes with a skilled weaver. Lodging in a canopy bed was always more expensive, not because of the extra wood (cheap) but because of the cloth curtains (pricey).
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Apothecary.
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It's here at the apothecary that Steven learned about the best methods for storing live leeches (keep them in a bowl marked "leeches" and let them feed on human blood as needed, to keep them alive), and some old remedies still used today (camphor, antacids, licorice, smelling salts). The smelling salts are ground-up antler horn. Medical instruments, which looked like instruments of torture, were in the back room.
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| Ghost story teller. |
Okay, this guy is not an artisan. He's actually a third year student at the nearby College of William and Mary. His night job is to lead tourists around to dimly lit colonial houses and assure them that the creaks they hear are really the ghosts of previous occupants. Here he is outside the Bruton Parish Church.